Thursday, 16 May 2013

VPHG: Artist Spotlight - Julie Proudfoot


Next up in our Artist Spotlight series is the very talented Julie Proudfoot. Julie's artwork 'Picking Jonquils' was the highlight of Anatomy's opening night - practically every attendee I spoke to loved the piece! We've worked Julie on a few exhibitions now and she is always such a pleasure to deal with; not just because her paintings tell such emotive stories but because she is just a lovely human in general!

Who are you? Tell us about your artistic journey...

A long time ago I was very bored during a Dental Nurse course in Melbourne and enrolled in an afterhours Fine Arts course. It filled a void in my life. It gave me the basics of drawing and painting. That was over twenty-five years ago. 
Since then, wherever I am, if the urge to ‘colour’ a situation strikes me, I put pastel to paper, or oil to canvas.
Julie Proudfoot's 'Picking Jonquils'
What inspires you?

When I think about art I think about colour and emotion. That’s what comes first and that’s what inspires me. 
Human emotion is intricate and complex, but at the same time universal. People recognise it when they see it. Life is full of events that pull us and throw us and needle us, and it’s the emotion we feel in amongst all that that I’m interested in. 
My interest in emotion possibly comes from my studies in psychology, or perhaps it’s the other way round: my interest in emotion lead me to a degree in psychology. Who knows? 
Then again, it may come from my un-conventional childhood: a strange primary school of ten children who ran around the bush climbing trees alongside lots of painting and pottery and textiles, and a home life confused by adults with un-medicated mental illness. 
Where ever it comes from, to expose and display an emotion is a challenge I always put to myself, and I hope it resonates with people who view my work. It’s a healthy thing to share emotion with people.

What are the main medium(s) you work in?

Oils and pastels. I love the way pastel blends, and its inherent softness. I often think I should give up the messy smelly oils, especially from an environmental point of view, but I love oils! Silky messy oils! I have a fondness for very large canvas, but it’s not practical most of the time.

How do you describe your work?

To give some context I would say I have expressionist intentions. But to put it simply, I attempt to display emotion by painting colour and figures.
Julie Proudfoot - Foetal
Tell us about the specific pieces you're exhibiting at VPHG...

The two paintings, ‘Picking Jonquils’ and ‘Foetal’, are a part of a series of ten or so paintings. The ten were painted in sequence within a period of a few months, and sometimes two at a time. 
They were painted at a difficult time in my life, and without intending to, and in hindsight, the series display an uncanny resemblance to my process through and out the other end of that time. 
They began with paintings that display frustration, pain and anger and move through to freedom, transparency, and happiness. 
‘Jonquils’ and ‘foetal’ are positive and transparent. Transparent both literally, and in the idea that there is nothing to hide from, or fear, or to be angry about. Jonquils are my favourite flower and were prolific where I grew up. So many that it was okay to roll down a very long hill over hundreds and hundreds of them squishing and ruining them. So it’s not surprising that Jonquils of all sizes and states feature in this. ‘Foetal’ is the feeling that it’s okay to live and stay and share in a moment of pain, and come through it.
Both 'Picking Jonquils' & 'Foetal' during the Anatomy show at VPHG
What are you working on currently?

I’m working on a series of oil paintings that accompany a psychological fiction novel I’m writing. Studying the characters visually helps me to tease apart and get to know them more deeply and emotionally.

You can read more about Julie's journey on her blog or over on twitter


Wednesday, 15 May 2013

VPHG: Artist Spotlight - Kerri-Anne Schnoor


You may have noticed that over the past few months we've been highlighting our makers through the regular stockist spotlight space. With our gallery calendar in full swing, I've been wanting to add another element to our spotlights, and add interviews with our exhibiting artists!

Today is that day! We're launching Artist Spotlights on the blog with Kerri-Anne Schnoor - one of the artists exhibiting in the current show, Anatomy. Her piece 'All That Is Left' (pictured below) is actually a personal favourite from this exhibition, so I'm very excited to share her story with you!

'All That Is Left' - on exhibit at VPHG until the 24th of May, 2013


Tell us a little about your artistic journey...

I have always had an interest in art but it was put on the backburner for a long time and after completing a year long art course I decided to continue with studies at Latrobe Uni in Bendigo,


What inspires you?

I find my inspiration working with materials. I usually begin researching a subject that I am interested in and then let the work grow from there through experimentation and investigation.


What are the main medium(s) that you work in?

I often begin with whatever I have laying around the studio and as ideas arise I follow them through with whatever is necessary and this process often leads me to a completed work that was nothing like where I began.


How would you describe your work?


I describe my work as process driven. I document the process of my work, with photography, writing and video, because it evolves and changes throughout its time and this documentation becomes part of the work. I try not to let myself become concerned with the final outcome or what will happen if I do this, I do it and move on. This allows me to move forward without regret or disappointment in my piece.


Tell us about 'All That Is Left', the piece you submitted for 'Anatomy' at VPHG


All that is left is an experimental work, however I did have a vision of what the final outcome would be in my head. What I was left with however was totally different, yet through the process of experimentation it became something more than what I had anticipated. It is this element of surprise and learning what the materials can actually do that drives my work forward.


What are you working on currently?

This year I am undertaking Bachelor of Visual Art Honours at Latrobe Uni and my studio space is full of papier mache sculptures, cast pieces as well as body casts and smaller clay sculptures. The work has evolved from a small concept at the start of the year to a large body of work concerned with investigating form and its relationship to space. Each piece is an evolving work and many of these pieces will be destroyed in some manner leaving only the documentation of their progress.

Kerri Anne's 'Drawing in Space', currently on display at the Phylis Palmer Gallery


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Friday, 10 May 2013

Exhibition Opportunity: 'OBJECT - secondlife' Call Out

OBJECT: 2013
SECONDLIFE

VPHG Challenge Show

VPHG are hosting their first annual OBJECT Challenge Show June 15th - July 6th

For the first show VPHG is challenging artists to give secondhand items a new lease on life.

As part of the $20 entry fee each artist will be supplied with a randomly allocated secondhand item.

A BYO object option is available and all mediums will be considered, as long as the 'canvas' has had a previous life.

More details on the website

Know someone this challenge show would be perfect for? Be sure to share the word!
 

Thursday, 9 May 2013

Behind the Scenes: Hanging Anatomy

I'm beyond excited for this show - the exhibiting artists have gone above and beyond my expectations when I set the theme. We'll be showcasing everything from 3D sculptural work to lino prints, from 10 very talented local artists.


With over 20 pieces in the exhibition, most of them large scale, let me just say that hanging a show at VPHG is where I get most of my exercise - that's at minimum of 20 trips up and down our stairs just carting the work up to the gallery!

Opening night is tomorrow, Friday the 10th of May from 7pm until 9pm at View Point Handmade Gallery, 13 View Point, Bendigo. (Opposite the fountain).



Thursday, 2 May 2013

Business Resources: The Right-Brain Business Plan

Nearly every day I chat to artists and makers who are struggling with the business side of their creative pursuit. Not everyone wants to make a fulltime income from their craft, but to help those that do I wanted to start sharing resources that I've found useful or have recommended to others - let's share our knowledge and grow together!

I've spent countless hours researching the issues and looking for solutions that will help them monetise their talents and today I want to share one of my first 'go-to' suggestions for my right-brain comrades!

Jennifer Lee's book 'the Right-Brain Business Plan':

 The Right-Brain Business Plan is the perfect starting place for any aspiring (or struggling!) creative entrepreneur - it's all about building a road-map for your creative biz in an artistic and visual way.

Does the idea of writing a business plan fill you with dread? Have you already writen one, but it is gathering digital dust, shelved as soon as it was finished? Spreadsheets put you to sleep? If you answered yes to any of these then I can't recommend this book enough!

You'll be guided through the steps to create a plan that reflects your business goals, in a format that fits your style. It's a business plan you WANT to refer back to regularly!

There's worksheets, step-by-step instructions and stories from featured creative entrepreneurs, all in a conversational and supportive style that will give your right-brain a nudge in the right direction (ha! right, see what I did there??).

Have you created a Right-Brain Business Plan using Jennifer's book as a guide? I'd love to hear from you in the posts below!


Please note: the links in this post are affiliate links, however I would never recommend a program or product that I don't personally believe in.

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